The project invites contemporary artists to reflect on the intricate relationship between humans and the natural world, highlighting sustainability, biodiversity, and mindful observation.
Kawamata’s work is renowned for transforming ordinary materials into extraordinary experiences. For this edition, his creations are poised to redefine how we perceive both space and environment, a perfect marriage with Ruinart’s own legacy of refined craftsmanship.
Kawamata’s installations were first presented at Palais de Tokyo in Paris before being brought to 4 Rue des Crayères, the iconic address of Ruinart in Champagne.
They will also travel to international contemporary art fairs throughout the year.
Known for his in situ constructions using wood and repurposed furniture, Kawamata arranges his works as pyramids, shelters, and walkways. Visitors can climb or explore them, gaining new perspectives on the surrounding environment.
The shifting scales of his installations invite reflection on the delicate interplay between humans and nature, making the observer an active participant in the artwork.
Each in situ installation is accompanied by preparatory drawings and models, offering insight into the artist’s creative process.
Kawamata has also designed a limited-edition collector piece to house a Jeroboam of Ruinart Blanc de Blancs, blending artistry with Ruinart’s champagne heritage.
During his initial visit to the Maison in Reims, Kawamata was captivated by the harmony of the building and its integration with the surrounding landscape: morning mist over the vineyards, the warmth of first sunlight, and breezes stirring the leaves. Birds, insects, and other often overlooked species became key inspirations for his work.
From this “first impression,” the artist developed a series of sketches and models. These served as the foundation for both temporary in situ installations and permanent works in Reims. The resulting structures function as imaginary refuges, reflecting both the fragility of nature and its astonishing adaptability echoing the centuries-long evolution of Ruinart’s savoir-faire.
Kawamata also worked with small-scale wooden structures before scaling up to giant shelters at 4 Rue des Crayères. He explains:
“I like the idea of miniaturization. Large things become small, and in situ installations become objects. This changes our relationship with scale and the hand. An object is autonomous, self contained, whereas an installation is in constant dialogue with its location, the climate, and scale. The two complement and enrich each other. Small formats let me test balance and tension, which can later become monumental. It’s important that the spirit remains the same, focusing on the hand, wood, and time.”
The collaboration will culminate in three in situ works in the Champagne region: Tree Hut, Nest, and Observatory.
Together, they form a coherent set, reflecting the identity of 4 Rue des Crayères and highlighting the synergy between art, Champagne savoir-faire, and the local terroir.
Visitors will be invited to observe the essential rhythms of nature, from climate and time to biodiversity echoing the delicate balance that defines Ruinart Champagne.
Each installation is a meditation on how humans relate to the environment, reminding us that art, craftsmanship, and ecology are inseparable when approached thoughtfully.
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